I have travelled to many UNESCO World Heritage sites. Zanzibar Stone Town in Tanzania, Kathmandu Valley in Nepal, the Medina of Fez in Morocco, Robben Island in South Africa, The Great Barrier Reef in Australia, the Grand Canyon in the USA, the rock-hewn Churches of Lalibela in Ethiopia, Lavaux Vineyard Terraces in Switzerland (below), to name a few.
I wondered what the listing actually meant, so of course I googled it.
‘Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration.
Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration.’
This got me wondering even more.
If these sites are to be passed on to future generations, why do we do so little when some are so threatened?
Kilwa Kisiwani, Tanzania
I don’t think I’ll ever lose my wanderlust. It ebbs and flows like the tides on my doorstep here in Western Australia. Sometimes the pull to stay ‘home’ is strong: when the beach beckons, and the outdoor lifestyle is easy, with good food, wines and friendships.
Then there are times when the lure of new shores overwhelms, the draw of old haunts tempt, and the need to leave this remote city to return to the familiar people and places of my formative years is stronger than the urge to stay.
At six degrees south of the equator,
the surprise of dusk is dramatic and sudden.
One moment you are enjoying the last rays of sunshine,
the next, darkness falls like a warm blanket.
Zanzibar, the Rufigi River in Selous Game Reserve, and the Uluguru Mountains in mainland Tanzania.
via Photo Challenge: Surprise
At the end of the day, watching the sun descend into the ocean in all its glory is deeply satisfying. No matter where I am, I try to catch those last rays.
In Zanzibar, the silhouette of a dhow sailing out on the evening breeze in the approaching darkness, pairs the imagery of sunset and dhow in a perfect match.
The man sat on his haunches deep in the shadow of the stairwell. The lights in the block of flats had been turned off, and darkness and silence prevailed all around. He had been here for some time, but the Zanzibar night was dark and still and he remained undetected. Occasionally a dog could be heard barking in the distance to be answered by another close by. The town slept. Only the scrawny dogs and rats scurried about in their search for sustenance among the stinking, smouldering rubbish heaps that struggled to burn.
Kassim waited for his moment. All doors were now firmly closed for the night. Except for the dogs and rats, he was alone. He remained squatting for another half-hour, immobile, watching and listening. He knew that the building across the street had an askari who was possibly still awake. On previous evenings when Kassim had checked on him, the watchman had been peacefully snoring under a tree. If anyone were to attempt to steal the vehicles he was supposed to be guarding, they might well get away with it.
Judging the time to be right, Kassim silently ran barefoot across the street. He found the man fast asleep, as expected, and headed round towards the balcony side of the flats. There was little cover, just a dusty grass verge and some straggly trees. Most of the streetlights were long since broken and there was no moonlight. He knew where he was going, even in the dark; he had done his research well. For days he had watched the white woman with the orange hair coming and going. She was staying with the other mzungu, in a first-floor flat — luckily for him. The ground floor would have been preferable, but this, he felt confident, would not present too many problems.
A drainpipe running down the wall beside the balconies made for easy climbing. In a couple of minutes he had pulled himself up making barely a sound. He squatted behind the small balcony wall to hide himself from the street and quieten his breathing. No lights were on inside and all was quiet. He tried the door. It was locked. The louvred windows were partially open, backed by a thin mosquito screen. Grasping the glass he pulled one of the louvres up and the other panes followed suit. Kassim drew the knife from his waistband and tried to prise a piece of glass from its metal frame.
An excerpt from a novel ‘The Tanzanite’